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Counting down my top 200 R&B albums of the contemporary era. Take note...MY top 200, not THE top 200!

s Babyface? The Babyface you listen to when you're not listening to Babyface? Or were After 7 a viable group on their own terms? It's difficult to tell given that Babyface had his
If you weren't bumping 'This Is How We Do It' during the summer of 1995, then you must have been vacationing in Kazakhstan or not born yet.... This was a huge album at the time and had a great summertime vibe that really connected with people. Montell was never spectacularly compelling as a singer and yet he has somehow managed to craft and sell some great songs over the course of his career. He has generally gone against the trend of working with every producer and his dog, often electing to craft his own songs. This album doesn't stand the test of time as well as some of his later work but it's great for a trip down memory lane and the title track still gets rotation on the ipod every now and again.
As I live in Australia I don't get to see many of my favourite R&B groups live. However back in 2000 I had the opportunity to see 112 when they toured here and their support act on the night were a group called Allure. They put on a good show that night and so I have a bit of a soft spot for their debut album. Its not perfect and it is certainly a product of its time, but there are enough songs on here that poke at you till you sing along that it rests easy at 185 on the list.
I am a big Donell Jones fan. I actually walked into the show late as my first experience listening to Donell was on his 1999 album 'Where I Wanna Be' (which you will see later on in the list). This album is slightly different to that album in that it isn't primarily produced by Donell himself. When I first heard that I asked myself, Why? Why would a man who is so obviously a talented song writer need any outside help? Well, as it turns out Donell knows Donell. This album is full of top notch tracks and surprisingly a lot of the good tracks are the uptempo ones (see 'Better Start Talkin'). This album would have been farther up the list but for the fact that it is only a year old. How will it stand up in 10 years time? I don't know but for now, I'm diggin' it.
This is one album that i cant really say with any certainty is really any good. I like this album but I think that may have more to do with it being something I listened to a lot in my youth (because I didn't have anything else to listen to), rather than it actually reaching any sort of creative zenith or pushing any sonic boundaries. Its just a pleasant little album full of slow to mid-tempo tracks that all meld into one another upon first listen. It has a very summery feel to it (the track 'Warm Summer Daze' might have given that away) which takes you back to a time when music could simply do that and not always take itself so seriously. Unfortunately time moved on and left Vybe stuck in 1995 never to release another album. I almost envy them. *sniff*
The word 'supergroup' gets bandied around a lot these days, but really in the R&B world they don't get much more 'super' than this particular group. As you will come to learn as I progress through my list, I'm an unashamed Keith Sweat fan. He has been plying his trade in the Biz now for around 20 years with a vocal style that is (.....whats a good word......) distinctive, while still being accessible. Personally, I love it and his consistency really is something to admire in this day of one album wonders. So when Keith got together with Johnny Gill, one of the best voices to grace a contemporary R&B album in the last 20 years and Gerald Levert, someone even more prolific than Keith himself, to form LSG, I was there with bells on.
Although I haven't been a fan from the beginning (RFTW were a bit before my time) once I discovered them I ploughed through their back catalogue with abandon. Their earlier Prince inspired stuff I can do without, especially (surprise surprise) the uptempo stuff like Digital Display and basically the whole first album with the exception of 'Oh Sheila'. ahem
I first got into Al B Sure through his work with Jodeci so I was quite surprised to find that Al could sing as well. As usual its the slow jams that I like the most on this album. In fact there are quite a few up-tempo jams which consistently get the FF button. Nevertheless, 'Right Now', 'Natalie' and 'Thanks for a Great Time Last Night' more than make up for any shortcomings. Despite the fact that this is the only album by Al B Sure on the list, he and Kyle West have had a hand in many more albums to come on the DID200.